BANDAI'S QUARTET OF "SHIN GODZILLA" SOFUBI Four Godzilla 2016 Figures? What Does It Mean?

バンダイの「シン•ゴジラ」ソフビで新発売！


Page one of two from Bandai's Sales Sheet for "Shin Godzilla".

Japan's giant juggernaut toy company, Bandai, recently issued their advance sales sheets for upcoming toy releases, with two pages (just making rounds on the internet) featuring their first run of toys — soft vinyl figures — based on the new Big G design appearing in Hideaki Anno's GODZILLA RESURGENCE, hitting Japanese screens on July 29th. And there's some interesting (albeit wafer-thin) info that is provoking some speculation in my kaiju-addled brain.

The top half of the ad page shows a graphic that is a promotion plan leading up to the release of the film — nothing really exciting  there (based on the scant details therein). But, it's the bottom half of the ad page that is the most intriguing — and detail-filled payoff if one can read Japanese (who has two thumbs?). Three vinyl figures are to be issued, but the details of which may harbor a spoiler...

First, the non-spoiler news: Bandai's initial roll-out will be a 16.5 cm (6.5") vinyl figure of Shin Godzilla, labeled as "Godzilla 2016", the official name designation for licensing and merchandizing. Under the "Movie Monster Series" banner,  this tagged figure will come 24 pieces per case, and will retail for ¥2000 ($18.50 USD). Preorders open on April 29th and will hit retailers at the end of July.

Now, here come the possible spoilers: The next pair of "Godzilla 2016" figures not only both share the same line, "(Tentative) Movie Monster Series", as well as size (16.5 cm) and retail price (¥1600/$15 USD), will come 48 to a case, are listed for release on August 1st, and both with the same catalogue designation of "Godzilla 2016", almost, with one slight — but very important — difference between them:

One has been labeled as "Godzilla 2016: Monster A" while the other is labeled "Godzilla 2016: Monster B".  With these points of fact, there comes to mind only three possible answers:

One is that there are two different kaiju appearing in this film facing off with Godzilla, or appear somewhere in the story. At this late juncture, any other kaiju would require its name being registered and labeled in order to be advanced to retailers, unless the names are undergoing trademark registration. This is contrary to statements made by both Toho and the filmmakers, who've explicitly stated this is a "Japan vs. Godzilla" scenario, only.

If two guest mon-stars are not a possibility, are we to believe that there are two separate and individual Big Gs appearing in flashback or flash-forward sequences? Is it possible that there could be two forms of the same King of the Monsters, perhaps regenerating — or degenerating — during the story? Like some kaiju version of "The Incredible Melting Man"?

Or could the Big G going through a regeneration lend credence to the film's English title, "Godzilla Resurgence"? Only time will tell.


Page two of two from Bandai's Sales Sheet for "Shin Godzilla".

Meanwhile, the second page of Bandai's sales sheet reveals reissues of Bandai America's "Bandai Creation" line, under the banner "King of the Monsters Series". The first two, coming this July, will be "Final Godzilla" and "Mechagodzilla" (Kiryu), measuring 28cm (11") and 30cm (11.8"), respectfully. The latest edition to this line will be the new "Godzilla 2016", measuring 28cm (11"), is expected to drop in August. All three will retail for ¥4800 ($44.13 USD) each.

The bottom half of the second page heralds the revival of Bandai's "Movie Monster Series", kicking off at the end of July with "Millennium Godzilla", measuring 16cm (6.4"), listing for ¥1600 ($15 USD), and "Mechagodzilla 2004" (Kiryu), measuring 17cm (6.7"), listing for ¥1800 ($16.55 USD). Bandai's website is also listing a reissue of many of the 16cm vinyl figures in the "Movie Monster Series", to debut in July — which is shaping up to the "Month of Godzilla" this year in Japan.

(Special thanks to Astounding Beyond Belief)

Stay tuned to this blog for further news on GODZILLA RESURGENCE as it develops! Official website (Japanese only): shin-godzilla.jp

Here are my previous reports on GODZILLA RESURGENCE:
April 14, 2016: Behold! First "Shin Godzilla" Retail Figure
April 13, 2016: Toho's Upcoming "Shin Godzilla" Revealed
January 3, 2016: Toho's New "Godzilla Resurgence" Exposed
December 11, 2015: Meet the"Godzilla Resurgence" Composer
December 10, 2015: The "Godzilla Resurgence" English Poster!
December 9, 2015: Japanese Press Reveals Shin Godzilla's Size
December 9, 2015: Scoop! Teaser for "Godzilla Resurgence"
December 9, 2015: Here's Your Big G in "Godzilla Resurgence"!
November 12, 2015: "Shin Godzilla" Promo Reel Screens at AFM!"
September 22, 2015: Toho Announces Three Principal Cast Members!
September 6, 2015: Shooting Begins on Toho's "Godzilla 2016"!
August 1, 2015: Did These Men Design Toho's New Big G?
April 1, 2015: The Directors of "Godzilla 2016" Speak!
March 31, 2015: "Evangelion" Creator Helms New "Godzilla"!
December 7, 2014: The "Japanese Godzilla" Will Rise Again!

HOSTING SHOUT'S "KAIJU MOVIE MARATHON" 24-Hours of Japanese Monster Movies and Me!

新番組『怪獣映画大会』登場！


The monstrous event starts this Saturday at Midnight, Eastern Time!

Prepare yourselves for something monstrous on July 18th...

Shout! Factory TV has teamed up with the original monster fan magazine, Famous Monsters of Filmland, to bring you the Kaiju Movie Marathon! Featuring nine classic Showa-era kaiju eiga (Japanese monster movies) from Toho Studios, spotlighting Godzilla, including hand-picked episodes of Tsuburaya Productions' ULTRA Q (1966) and ULTRA SEVEN (1967), streaming live for 24 hours on July 18th (from midnight to midnight Eastern Time). Hosted by Yours Truly!

Back in March, I was approached by a creative team at Shout! Factory to see if I wanted to be involved in this project, and I couldn't say no. Not only because this would be a fantastic opportunity, but because it was a chance to become a full, red-blooded, American Horror Host, just like my childhood hero, Bob Wilkins of "Creature Features" fame (if just for one day). They forwarded a rough script and told me to "make it your own." And that's exactly what I did.

We shot all of my segments in late June and I hope that everyone will enjoy them — I tried to keep it light, have fun with the material, but also be informative, drop some little known facts, and be completely respectful to the films and the genre (why wouldn't I? I love these films). I brought along some of my favorite Bullmark figures, several original movie posters, and some "Creature Features" tributes to decorate the set (shot at Chronicle Books in San Francisco).

Director Brian Blum, Cameraman Michael Bloom, and I had a blast!

This weekend's event will stream at www.shoutfactorytvlive.com. For mobile, tablet and connected TV devices the marathon is accessible via the Pluto TV app. The marathon is also available via Pluto TV (CH 427) in the living room (Amazon Fire TV and Fire TV Stick, Android TV, Chromecast and Apple Airplay), on the go (apps for iOS, Android and Amazon) and at your fingertips on PCs, Macs via the web.

THE "KAIJU MOVIE MARATHON" SCHEDULE (All Times Eastern):

12:00 am — GODZILLA: The Uncut Japanese Original (1954)
01:45 am — ULTRA Q (1966)
05:15 am — ULTRA SEVEN (1967)
06:30 am — GODZILLA, KING OF THE MONSTERS (1954)
08:15 am — ULTRA SEVEN (1967)
09:00 am — RODAN (1956)
10:30 am — ULTRA SEVEN (1967)
11:15 am — GODZILLA RAIDS AGAIN (1955)
12:45 pm — ULTRA SEVEN (1967)
01:30 pm — GODZILLA VS. THE THING (1964)
03:15 pm — GHIDRAH, THE THREE-HEADED MONSTER (1964)
05:00 pm — MONSTER ZERO (1965)
06:45 pm — GODZILLA'S REVENGE (1969)
08:15 pm — TERROR OF MECHAGODZILLA (1975)
10:00 pm — Repeat: GODZILLA: The Uncut Japanese Original (1954)
11:45 pm — Repeat: GODZILLA'S REVENGE (1969)
01:15 am — Repeat: TERROR OF MECHAGODZILLA (1975)

Just a note on the episodes I picked for this special presentation; all of them were not picked as the best of their respective series, but as the best of the kaiju-oriented episodes of each show. So, tune in for the kaiju calamity on July 18th, and live tweet with #godzilla. Shout! Factory TV and Famous Monsters of Filmland will be giving away prizes to fans and viewers of the marathon, including a $100 gift certificate for Shout! Factory merchandize.

In the words of Bob Wilkins, remember to "Watch Horror Films... Keep America Strong!"

(Viewers outside North America can view via Channel 427 on Pluto TV.)

BOOK ON GODZILLA'S HEROIC YEARS: 1969-1975"Godzilla 'Toho Champion Matsuri' Perfection"

ゴジラが「ぼくらのヒーロー」だった時代！


Spectacular cover for "the" book on the Godzilla films of the '70s!

Finally, the release of a new photo-filled publication, spotlighting the Big G's heroic exploits from 1969-1975, will hit the shelves of Japanese booksellers on November 18th. After months of waiting, the juggernaut imprint, Kadokawa Publishing, has just released the cover and samples from this eagerly-awaited, 176-page tome on the oft glossed-over period of Godzilla's cinematic history.


Sample page of GODZILLA'S REVENGE (Oru Kaiju Daishingeki, 1969).

The "Toho Champion Matsuri" (or festival) were a series of kiddie matinee packages, comprising a feature film and short subjects (episodes of live action and animated teleseries), answering rival Toei's seasonal "Cartoon Festivals." The inaugural program featured Ishiro Honda's MARCH OF THE MONSTERS (released in the US as Godzilla's Revenge and All Monsters Attack) on December 10, 1969.


Sample page of GODZILLA VS. GIGAN (Gojira tai Gaigan, 1972).

The following Champion Festivals included digest versions of the 1960s Godzilla films, with one all-new production per year, geared squarely at children. The exception to this rule was Ishiro Honda's GIANT MONSTERS OF THE SOUTH SEAS (known in the US as Yog, Monster from Space and Space Amoeba), a tribute to the late Eiji Tsuburaya recalling Toho's glory days, released on August 1, 1970.


GODZILLA VS. MECHAGODZILLA (Gojira tai Mekagojira, 1974).

The new series, depicting the Big G as a decidedly heroic defender of the Earth, began in earnest on July 24, 1971, with Yoshimitsu Banno's trippy GODZILLA VS. HEDORAH (released in the US as Godzilla vs. the Smog Monster). The next original feature was Jun Fukuda's far more conventional GODZILLA VS. GIGAN (released in the US as Godzilla on Monster Island), on March 12, 1972.


Sections on each of the festivals including promotional materials.

Jun Fukuda's next creature feature, unleashed on March 17, 1973, solidified the Big G's mantle as a kaiju superhero in GODZILLA VS. MEGALO (released in the US as Godzilla vs. Megalon), teaming up in this outlandish, live action cartoon adventure, with an Ultraman-like automaton: Jet Jaguar (or should his name be romanized as "Jet Jaeger"?). Then, our hero faced his bionic double — from space!


Over seven interviews with cast members including Tomoko Ai.

Arguably one of the best rivals created during this period was the centerpiece of Toho's 20th Anniversary Big G actioner, GODZILLA VS. MECHAGODZILLA (released in the US as Godzilla vs. Bionic Monster and Godzilla vs. Cosmic Monster) on March 21, 1974. While a more straight-faced production than MEGALO, the space titanium terror would return for a rematch staged by Ishiro Honda.


Special interviews with staff personnel including Teruyoshi Nakano.

Honda's MECHAGODZILLA STRIKES BACK (released in the US as Terror of Godzilla and Terror of Mechagodzilla) on March 15, 1975 was a fitting swan song for the flagging series, stymied by stiff television competition, which was deluged in free kaiju programming. Even though Honda's film harkened back to the glory days of the 1960s, it was too little, too late. The Big G went on vacation.


Archival interviews with late staff personnel including Ishiro Honda.

By 1975, the Champion Festivals had gone from seasonal to annual programs which only showcased revivals of the classic films through 1978 (including one Disney line-up featuring Peter Pan in 1976 and a double feature of Latitude Zero and Mothra in 1977), ending with an uncut reissue of Honda's 1957 classic, THE EARTH DEFENSE FORCE (released in the US as The Mysterians) on March 18, 1978.


Detailed overviews of four unmade Champion Festival Godzilla films.

While there have been several in-depth, historical overviews of the Big G's cinematic history, most revere the early, and more favored, films of Honda and Tsuburaya, with cursory coverage of the '70s entries. Now, we've got an entire book devoted to them in minutia; a veritable, "Everything You Wanted to Know About the '70s Godzilla, But Were Afraid to Ask" (well, if you can read Japanese, that is)!

So, if you've seen or own Kadokawa's previous publications of "Heisei Godzilla Perfection" or "Heisei Gamera Perfection", you know how good this one is going to be (jammed with amazing photographs and measuring 11.3"x 8.3"). Fortunately, you don't need to live in Tokyo to get one — pre-order your own copy of "Godzilla 'Toho Champion Matsuri' Perfection" direct from Amazon Japan for only $36.08!

You'll thank me later. You're welcome.

"MECHAGODZILLA, DESTROY THEM UTTERLY" Bandai's Amazing RC-Operated Titan of Terror!

RCメカゴジラがやってきた!


Bandai's amazing RC Mechagodzilla! Photo: CScout Japan

The iconic Mechagodzilla, the bionic double of the King of the Monsters, was created in 1974 for the 20th Anniversary Godzilla film, Jun Fukuda's GODZILLA VS. MECHAGODZILLA, and proved so popular, he was brought back the next year for Ishiro Honda's TERROR OF MECHAGODZILLA. Since then, as a character, Mechagodzilla has endured in popularity for more than three decades, and has been re-envisioned in several more recent Toho films, such as GODZILLA AGAINST MECHAGODZILLA (2002) and GODZILLA: TOKYO SOS (2003). Despite the updates, the first version of the character still captures the imagination of fans everywhere.


"Cross Attack Beam, fire!" Photo: GA Graphics

While the original version of the alien super robot has been rendered in various forms of vinyl, resin, diecast and injection mold plastic, kaiju fans and Japanese toy collectors, alike, thought that they saw the zenith figure of their favorite space titanium-alloy monster issued in spectacular — and ultimate — form as part of Bandai's best-selling "Soul of Chogokin" line a couple of years ago. Released in both 1974 and 1975 versions, this diecast figure was one of the many releases in the popular revival of their "Chogokin" brand (or "Super Alloy," a term coined from Go Nagai and Toei Animation's MAZINGER Z). No one could have imagined that it could get any better. Until now.


"Initiate, Defense Neo-Barrier!" Photo: GA Graphics

At the 2008 Tokyo Toy Show on June 21st and 22nd, produced by the Japan Toy Association, the largest toymaker in Japan, Bandai, previewed a prototype of their latest, and arguably, greatest idea. Ever. Bandai unveiled their upcoming 20" Radio Controlled 1974-type Mechagodzilla! This ultimate in robot toy decadence is radio operated via a remote control box, ala Gigantor, and promises full walking action (forward, reverse, right and left), flashing lights to simulate weapons firing (spinning hands for the Finger Missiles, opening chest plate for Cross Attack Beam, etc.) and defensive capabilities (spinning head to simulate Neo Barrier generation) — replete with corresponding sound effects.


"His power is in your hands!" Photo: GA Graphics

According to the Japanese website, GA Graphics, who were in attendance at the Tokyo Toy Show, the prototype "RC Mechagodzilla 1974" (tentative name) was on display in a glass case at the Bandai booth, and while it demonstrated several of its special features (including lights that flash to simulate missile firing and eyes that change from amber to blue), the walking function was not demoed for either the buyers or the public at the show. With this being a prototype, it is likely that Bandai is still busy working on getting this ultimate toy for big boys ready for its scheduled December release date.

Because of the declining birtrate in Japan, toy manufacturers have been refocusing their marketing squarely at adults with highly detailed items that were previously the realm of the so-called niche "Garage Kit" market, spawned by independent, Cottage Industry manufacturers. One recent example is Bandai's full-scale, and functional, Kamen Rider Henshin Belt, which surpassed all expectations in sales to this new — and growing — demographic.

While manufacturer's suggested retail price was not announced at the Tokyo Toy Show, those interested in picking this badass piece up will have to expect it to be in the triple digits — so start saving your pennies, now. This is truly a toy that is guaranteed to be worth its weight in Space Titanium.