HAPPY BIRTHDAY, YOSUKE NATSUKI! Film & TV Actor • February 27, 1936

お誕生日おめでとう、夏木陽介様 !


A PHOTOJOURNALIST'S STORY: LIFE LEAPS IN A MOMENT (1963)

「三大怪獣・地球最大の決戦」GHIDRAH: THE THREE-HEADED MONSTER (1964)

Publicity photoshoot blue color design for King Ghidorah.

GHIDRAH: THE THREE-HEADED MONSTER

San Daikaiju Chikyu Saidai-no Kessen, Toho, 1964, 85 minutes
Director ISHIRO HONDA • Visual Effects Director EIJI TSUBURAYA

"Three Giant Monsters: The Greatest Battle on Earth" (the film's Japanese title) was planned to feature all three of their biggest monster stars, Godzilla, Rodan and Mothra, who would team up to fight a new, and extraterrestrial menace. With the aim to appeal to general audiences, the narrative takes on a fairy tale-style approach, and while it is far more light-hearted than MOTHRA VS. GODZILLA, it rather compliments the Honda-Tsuburaya film that preceded it into theaters, DOGORA: THE SPACE MONSTER (all released the same year), although it features one of the greatest monsters in all cinema.

Shinichi Sekizawa's screenplay is more fantasy-oriented, centering on an Eastern princess (a descendant of aliens) marked for assassination, and written to appeal to a broader audience than the previous films. Honda said to the late Guy Tucker, "When I make a monster film, I never think that it will be for children. I want to imagine and express a story [to a wide audience], but it's always children who are the most interested." While the other monsters are portrayed fairly de rigueur during the most of the film, they suddenly become anthropomorphic, "I don't think that monsters should be comical characters, the audience is more entertained when [the monsters] strike fear in the hearts of the [human] characters." But, despite this, Honda effortlessly sweeps the audience into the story, with assured and swift direction.

Then, there’s the star of the film. Perhaps the most inspired creature the studio ever conceived, King Ghidorah was the idea of scenarist Sekizawa, who only described the monster as having "three heads, two tails, and a metallic roar like a bell." Akira Watanabe, whose sketches combined the mythical Yamata-no-Orochi from Japanese legend and traditional Chinese Dragons, were faithfully brought to life by the prosthetic crew in Toho’s Visual Effects Department, designed the realization of King Ghidorah. According to legend, the triple threat was conceived to be a menacing crimson, while gold was favored by visual effects director, Eiji Tsuburaya. In color publicity photos after the suit was completed, he was painted blue, with red, gold, and blue-striped wings, but it was decided that blue would become problematic with Blue Screen matte process. There've been many conflicting stories concerning this, and no definitive answer, so far. Regardless, the interplanetary invader created such an impact on audiences, that it has since remained one of the most popular monsters ever created by Toho.

Yosuke Natsuki (b.1936), who had just come off of Honda's DOGORA, top-lines the cast as Detective Shindo. A former model, Natsuki, was preened as one of Toho’s new, young leads, and made a number of films in the 1960s. But, he wasn’t a flash-in-the-pan, either, and starred in numerous popular television series, such as G-MEN ’75 (1975-82). Almost twenty years after GHIDRAH, Natsuki returned to the kaiju eiga with Koji Hashimoto’s THE RETURN OF GODZILLA (1984) and more recently in Minoru Kawasaki’s MONSTER X STRIKES BACK: ATTACK THE G-8 SUMMIT (2008) - he also provided the voice of Commander DEUS in ULTRASEVEN X (2007). Still quite active, the veteran actor recently scored important roles in François Rotger’s THE PASSENGER (2005) and Shunichi Nagasaki’s BLACK BELT (2007).

The spunky, and very in-demand, Yuriko Hoshi (WARRING CLANS) stars as Shindo's sister, Naoko, an investigative reporter for a series called "Mysteries of the 20th Century." Ozu regular, Hiroshi Koizumi (DAUGHTERS, WIVES AND A MOTHER), once again plays the scientist, a geologist named "Professor Murai" (both actors seemingly carried over from their similar roles in MOTHRA VS. GODZILLA). The beautiful Akiko Wakabayashi (BANDITS ON THE WIND) plays the unifying character, "Princess Salno," who went on to appear in YOU ONLY LIVE TWICE (1967). Her only starring role was in Luigi Filippo D'Amico’s AKIKO (1961). Originally, the assassin "Malmess" was to be played by actor Yoshio Tsuchiya (FUNERAL PROCESSION OF ROSES), but was held up on the lagging production of Akira Kurosawa's RED BEARD, and was replaced by character actor Hisaya Ito (A WOMAN’S LIFE).

Many of Tsuburaya's visual effects for the picture are thrilling, such as the birth of King Ghidorah, its awesome destruction of Yokohama and Tokyo, and the first battle between Godzilla and Rodan. His work here is as good as seen in MOTHRA VS. GODZILLA - with fantastic long shots of Godzilla and Rodan engaged in mortal combat - until battle reaches the slopes of Mt. Fuji. Here, the scenes between Godzilla and Rodan become static and stagey, oddly juxtaposed with fantastic shots of King Ghidorah’s wonton rampage, until Godzilla, Rodan and Mothra unite to drive off the interloper. The difference is somewhat jarring from the first half of the film, but Tsuburaya believed that this humanizing of the monsters would win over audiences.

Honda said, "I was hesitant to let Mothra act as the mediator... I felt that the monsters... were far too humanized." While the increasing anthropomorphic behavior of the colossi in the last quarter of the film seems to lower the bar that was set with MOTHRA VS. GODZILLA - it still doesn’t lower the entertainment value as a whole. Carried along by Maestro Akira Ifukube's wonderful fairy tale score (including a memorable song from The Peanuts), the visual treats of Tsuburaya, and the magnificence of King Ghidorah, GHIDRAH: THE THREE-HEADED MONSTER (the film's US title), is not only a memorable entry in the series, but also one of the most entertaining films of the kaiju eiga.

Executive Producer TOMOYUKI TANAKA Screenplay SHINICHI SEKIZAWA Production Design TAKEO KITA Cinematography HAJIME KOIZUMI Music AKIRA IFUKUBE Visual Effects Production Design AKIRA WATANABE Visual Effects Photography SADAMASA ARIKAWA [US Version] Additional Music and Sound Effects FILMSCORES INC. English Dialogue JOE BELLUCI Post-production Consultant RAY ANGUS

Starring YOSUKE NATSUKI (Detective Shindo) YURIKO HOSHI (Naoko Shindo) HIROSHI KOIZUMI (Professor Murai) AKIKO WAKABAYASHI (Princess Salno) HISAYA ITO (Malmess) AKIHIKO HIRATA (Chief Detective Okita) THE PEANUTS: EMI and YUMI ITO (The Little Beauties) and TAKASHI SHIMURA (Dr. Tsukamoto)

CAN GIANT MAJIN TAKESHI "BEAT" KAIJU GUILALA? It's the Ultimate War of the Colossal Beasts!

何だ? 大魔神たけし対大怪獣ギララ!?


Coming to your galaxy this summer!

While the details surrounding Minoru Kawasaki’s upcoming MONSTER X STRIKES BACK: ATTACK THE G-8 SUMMIT (Girara-no Gyakushu Toyako Samitto-no Kiki Ippatsu), a spin off of the Shochiku Studio’s one-shot monster movie from 1967, THE X FROM OUTER SPACE (Uchu Daikaiju Girara), keep getting stranger and stranger — it’s also becoming bizarrely sublime in both the casting and the unveiling of a new colossal character to combat the giant space monster. But, is that any surprise coming from a Kawasaki film?


Actor/Singer Kazuki Kato.

Under the radar of most people outside of Japan are the starring roles, filled by two veteran tokusatsu television actors. 24 year-old actor-singer Kazuki Kato plays a photojournalist caught up in covering the onslaught of the monster Guilala. The popular Kato rose in fame playing Keigo Atobe in the stage presentations based on "The Prince of Tennis" manga and his television role as Daisuke Kazama/Kamen Rider Drake in KAMEN RIDER KABUTO (2006-07). He most recently played Shiro Kazami/Kamen Rider V3 in Ryuta Tasaki’s KAMEN RIDER: THE NEXT (2007).


Actress/Model Natsuki Kato.

His love interest in the film is a plucky news reporter played by 22-year old actress (and professed anime fan), Natsuki Kato, who first appeared in BURN! ROBOCON (1999-00) and was prominently featured in Kenta Fukasaku’s BATTLE ROYALE II: REQUIEM (2003). She can also been seen in Naoyuki Tomomatsu's STACY (2001) and Atsushi Muroga's GUN CRAZY 4: REQUIEM FOR A BODYGUARD (2002). Kato is also notable for playing the first official female Kamen Rider, Kamen Rider Femme, in Ryuta Tasaki’s KAMEN RIDER RYUKI: EPISODE FINAL (2002).


Recent photo of actor Susumu Kurobe.

Kawasaki has also sprinkled in a couple of old veterans, who are no strangers to fans around the world — Susumu Kurobe, who is best remembered as Hayata from the original ULTRAMAN series from 1966 has a prominent role as a military official (Kurobe also appeared in similar brief cameos in the recent series of Godzilla films). Kurobe also recently reprised his role as Hayata in the ULTRAMAN MOEBIUS television series and two feature film spin-offs, the latest of which, Takeshi Yagi's DECISIVE BATTLE! THE SUPER 8 ULTRA BROTHERS, opens in Japanese theaters this September. Mr. Kurobe has always been one of my heroes.


Recent photo of actor Yosuke Natsuki.

While his last role in a visual effects film was more than two decades ago, as Professor Hayashida in Koji Hashimoto’s RETURN OF GODZILLA (1984), Yosuke Natsuki has been cast in a featured role in the new film. Under contract with Toho in the late 1950s, Natsuki was a popular young actor whom appeared in everything from comedy programmers to dramatic war films, as well as action potboilers and period dramas, such as Kengo Furusawa’s SIEGE ON FORT BISMARCK (1963) and Hiroshi Inagaki’s CHUSHINGURA (1962). He also appeared in two classic monster movies directed by Ishiro Honda, GHIDRAH: THE THREE-HEADED and MONSTER and DOGORA: THE SPACE MONSTER (both 1964). Natsuki recently played Shibahara, the Karate Master in Shunichi Nagasaki's excellent BLACK BELT (Kuro-obi, 2007).

But wait! There’s more!

Japanese press sources have just announced that world-renown actor and director, “Beat” Takeshi Kitano, is appearing in the film as “Takemajin” (pronounced “tah-kay mah-gene”) — a guardian deity who grows to enormous proportions to take on the intergalactic interloper. Loosely based on the deity Fudomuyo-Oh, the new character first appears in the film as a 50 cm edifice (holding an umbrella in one hand and a fire extinguisher in the other). But, when things look their darkest, the statue comes to life as a 50-meter tall, 10,000-ton colossus. Kitano will actually don the suit of Takemajin.


Early design for Takemajin.

Director Kawasaki thought that this would be a perfect role for Kitano, who is no stranger to comedy or elaborate costuming, since he used to play the Ultraman-like character, “Take-chan Man,” on the old “Ultra Quiz” game show, as well as wrote and starred in the “Uchimura Seven” sketches, which were parodies of the old ULTRAMAN television series. Kitano is also known by Japanese audiences for his penchant for dressing up in wacky costumes on the most inconspicuous (or inappropriate) occasions.


Kitano's mug on the statue of Takemajin.

In the story, the mystery surrounding Takemajin — which is also a take-off of Daiei Studio’s beloved DAIMAJIN trilogy from the 1960s — is at the center of the drama, and the avenging deity will make his dramatic appearance at the climax of the film. Kawasaki teased, “This is the culmination of Takeshi-san’s professional career... and in the last scene, there will be a shock similar to [the final duel] in Akira Kurosawa’s SANJURO.”


Who will prevail? Takemajin or Guilala?

MONSTER X STRIKES BACK: ATTACK THE G-8 SUMMIT goes into nationwide release in Japan this July. Personally, I can’t wait to see this film — it’s either going to be glorious or a glorious mess!