"SHIN GODZILLA" STATIONARY MAQUETTE NO. 1 Model Displayed at Nico-Nico Super Conference!

ニコニコ超会議、シン・ゴジラ1号雛型！


Maquette No. 1 on display at the Nico-Nico Conference this weekend.


First model produced for CG animators to render for the film.


This large-scale reference model is incredibly and infinitely detailed.


From this angle, this maquette is unmistakably classic Godzilla.


This production maquette also recalls the original 1954 creation.


Amazing detail on the classic-style Big G dorsal plates in this shot.


Fantastic shot of dorsal plates and tail reminiscent of Godzilla '54.


Does it seem that the tail's end is a fusion of marine life skeletons?

(Photos by Takao Yoshiba, Konfunk, Perori, and others via Twitter)

Stay tuned to this blog for further news on GODZILLA RESURGENCE as it develops! The film bows nationwide in Japan on July 29th. Check out the official website (Japanese only): shin-godzilla.jp

Here are my previous reports on GODZILLA RESURGENCE:
April 16, 2016: Bandai's Quartet of "Shin Godzilla" Sofubi
April 14, 2016: Behold! First "Shin Godzilla" Retail Figure
April 13, 2016: Toho's Upcoming "Shin Godzilla" Revealed
January 3, 2016: Toho's New "Godzilla Resurgence" Exposed
December 11, 2015: Meet the"Godzilla Resurgence" Composer
December 10, 2015: The "Godzilla Resurgence" English Poster!
December 9, 2015: Japanese Press Reveals Shin Godzilla's Size
December 9, 2015: Scoop! Teaser for "Godzilla Resurgence"
December 9, 2015: Here's Your Big G in "Godzilla Resurgence"!
November 12, 2015: "Shin Godzilla" Promo Reel Screens at AFM!"
September 22, 2015: Toho Announces Three Principal Cast Members!
September 6, 2015: Shooting Begins on Toho's "Godzilla 2016"!
August 1, 2015: Did These Men Design Toho's New Big G?
April 1, 2015: The Directors of "Godzilla 2016" Speak!
March 31, 2015: "Evangelion" Creator Helms New "Godzilla"!
December 7, 2014: The "Japanese Godzilla" Will Rise Again!

BANDAI'S QUARTET OF "SHIN GODZILLA" SOFUBI Four Godzilla 2016 Figures? What Does It Mean?

バンダイの「シン•ゴジラ」ソフビで新発売！


Page one of two from Bandai's Sales Sheet for "Shin Godzilla".

Japan's giant juggernaut toy company, Bandai, recently issued their advance sales sheets for upcoming toy releases, with two pages (just making rounds on the internet) featuring their first run of toys — soft vinyl figures — based on the new Big G design appearing in Hideaki Anno's GODZILLA RESURGENCE, hitting Japanese screens on July 29th. And there's some interesting (albeit wafer-thin) info that is provoking some speculation in my kaiju-addled brain.

The top half of the ad page shows a graphic that is a promotion plan leading up to the release of the film — nothing really exciting  there (based on the scant details therein). But, it's the bottom half of the ad page that is the most intriguing — and detail-filled payoff if one can read Japanese (who has two thumbs?). Three vinyl figures are to be issued, but the details of which may harbor a spoiler...

First, the non-spoiler news: Bandai's initial roll-out will be a 16.5 cm (6.5") vinyl figure of Shin Godzilla, labeled as "Godzilla 2016", the official name designation for licensing and merchandizing. Under the "Movie Monster Series" banner,  this tagged figure will come 24 pieces per case, and will retail for ¥2000 ($18.50 USD). Preorders open on April 29th and will hit retailers at the end of July.

Now, here come the possible spoilers: The next pair of "Godzilla 2016" figures not only both share the same line, "(Tentative) Movie Monster Series", as well as size (16.5 cm) and retail price (¥1600/$15 USD), will come 48 to a case, are listed for release on August 1st, and both with the same catalogue designation of "Godzilla 2016", almost, with one slight — but very important — difference between them:

One has been labeled as "Godzilla 2016: Monster A" while the other is labeled "Godzilla 2016: Monster B".  With these points of fact, there comes to mind only three possible answers:

One is that there are two different kaiju appearing in this film facing off with Godzilla, or appear somewhere in the story. At this late juncture, any other kaiju would require its name being registered and labeled in order to be advanced to retailers, unless the names are undergoing trademark registration. This is contrary to statements made by both Toho and the filmmakers, who've explicitly stated this is a "Japan vs. Godzilla" scenario, only.

If two guest mon-stars are not a possibility, are we to believe that there are two separate and individual Big Gs appearing in flashback or flash-forward sequences? Is it possible that there could be two forms of the same King of the Monsters, perhaps regenerating — or degenerating — during the story? Like some kaiju version of "The Incredible Melting Man"?

Or could the Big G going through a regeneration lend credence to the film's English title, "Godzilla Resurgence"? Only time will tell.


Page two of two from Bandai's Sales Sheet for "Shin Godzilla".

Meanwhile, the second page of Bandai's sales sheet reveals reissues of Bandai America's "Bandai Creation" line, under the banner "King of the Monsters Series". The first two, coming this July, will be "Final Godzilla" and "Mechagodzilla" (Kiryu), measuring 28cm (11") and 30cm (11.8"), respectfully. The latest edition to this line will be the new "Godzilla 2016", measuring 28cm (11"), is expected to drop in August. All three will retail for ¥4800 ($44.13 USD) each.

The bottom half of the second page heralds the revival of Bandai's "Movie Monster Series", kicking off at the end of July with "Millennium Godzilla", measuring 16cm (6.4"), listing for ¥1600 ($15 USD), and "Mechagodzilla 2004" (Kiryu), measuring 17cm (6.7"), listing for ¥1800 ($16.55 USD). Bandai's website is also listing a reissue of many of the 16cm vinyl figures in the "Movie Monster Series", to debut in July — which is shaping up to the "Month of Godzilla" this year in Japan.

(Special thanks to Astounding Beyond Belief)

Stay tuned to this blog for further news on GODZILLA RESURGENCE as it develops! Official website (Japanese only): shin-godzilla.jp

Here are my previous reports on GODZILLA RESURGENCE:
April 14, 2016: Behold! First "Shin Godzilla" Retail Figure
April 13, 2016: Toho's Upcoming "Shin Godzilla" Revealed
January 3, 2016: Toho's New "Godzilla Resurgence" Exposed
December 11, 2015: Meet the"Godzilla Resurgence" Composer
December 10, 2015: The "Godzilla Resurgence" English Poster!
December 9, 2015: Japanese Press Reveals Shin Godzilla's Size
December 9, 2015: Scoop! Teaser for "Godzilla Resurgence"
December 9, 2015: Here's Your Big G in "Godzilla Resurgence"!
November 12, 2015: "Shin Godzilla" Promo Reel Screens at AFM!"
September 22, 2015: Toho Announces Three Principal Cast Members!
September 6, 2015: Shooting Begins on Toho's "Godzilla 2016"!
August 1, 2015: Did These Men Design Toho's New Big G?
April 1, 2015: The Directors of "Godzilla 2016" Speak!
March 31, 2015: "Evangelion" Creator Helms New "Godzilla"!
December 7, 2014: The "Japanese Godzilla" Will Rise Again!

NEXT GODZILLA NOW ENTITLED "SHIN GODZILLA" Toho Announces Three Principal Cast Members!

長谷川博己主演で最新作『シン・ゴジラ』！


Hiroki Hasegawa will star as an unspecified "Government Official".

Next summer, the first Japanese Godzilla in 12 years will be released, and on September 22nd, the main cast for the contemporary film was announced. The lead star is Hiroki Hasegawa (some mistranslating his given name as "Hiromi"), who will play a "government official" dealing with monster's rampage. The 38 year-old Hasegawa, aka "Hasehiro", has acted on stage, television and film, recently starring as Ryoichi Suzuki in Shion Sono's LOVE & PEACE (2015) and Shikishima in Shinji Higuchi's ATTACK ON TITAN (2015).


Popular Yutaka Takenouchi will also play a "Government Official".

Hasegawa's male co-star is Yutaka Takenouchi, who began his career as a model, and made his acting debut in the television drama, MY FIRST JOB (1994). In 2002, the 44 year-old Takenouchi received a Best Actor nomination by the Japanese Academy Awards for Isamu Nakae's CALMI CUORI APPASSIONATI (2001). Also in demand for television and commercials, he recently starred as Captain Sakae Oba in Hideyuki Hirayama's Pacific War saga, OBA: THE LAST SAMURAI (2011), as well as Yukihiko Nishino in Nami Iguchi's THE TALE OF NISHINO (2014).


Satomi Ishihara's role was described by Toho as a "U.S. Agent."

Winning numerous acting awards, Satomi Ishihara was voted Vogue Japan's Woman of the Year in 2010, ranked as 25th and 32nd by T.C. Candler's Annual Independent Critics List of the 100 Most Beautiful Faces in 2014 and 2013, and received Jewelry World's Best Woman of the Year award in 2015. The 28 year-old model first made her screen debut as Sanju in Toshiro Saiga's HOGI-LALA (2002), under the stage name "Kuniko Ishigami". With numerous television and screen credits, Ishihara recently starred as Kanoe Kumoi in Hideo Tanaka's MONSTERZ (2014) and as Hange in Shinji Higuchi's ATTACK ON TITAN (2015).


The official katakana title logo in the style of the 1954 original.

While the supporting cast has yet to be revealed by Toho, principal photography has already begun, under the title "シン・ゴジラ" (Shin Gojira), which was announced as official during the press conference on September 22nd. This title has been rendered in katakana, the writing system usually reserved for foreign words — with "Gojira", of course, being "Godzilla" — while "Shin" is a triple-entendre reading of the kanji characters for "新" (new), "真" (true), "神" (god), according to the film's Supervising Director Hideaki Anno, best known to fans throughout the world for NEON GENESIS EVANGELION.


Shooting panic scenes in Tokyo's Ota Ward. Photo by Shimpei Kanada.

Toho is confident in Hasegawa abilities in being the pillar of SHIN GODZILLA's cast, in representing the best Japan has to offer, to which the actor stated, "It's no exaggeration to say that he's world-famous, so who wouldn't want to be involved in a Godzilla production?" and shouted, "I want to give this role all I've got!" His fellow cast member, Takenouchi declared that after 61 years since the original, this will be the 29th and best of them all, "With a deeper message." While she received the offer over the phone, Ishihara shouted "Alright!", but now she's feeling the pressure from all of her English dialogue. She admitted, "Sometimes it's so frustrating, I just wanted to cry."


What will the new Japanese Godzilla look like? The world awaits!

It was previously stated that the Big G appearing in SHIN GODZILLA would be taller than the 108-meter long creature appearing in Gareth Edwards' GODZILLA (2014). Undoubtedly, when this new Godzilla is finally revealed, for the first time in twelve years, he'll garner even far more attention than the human cast. More importantly, what will this new "Shin Godzilla" look like? Are the rumors of his design and designers true? And how will he be brought to life? So, stay tuned for more details as it develops, as the true King of the Monsters returns to the screen once again!

Based on various Japanese news reports including Sanspo.com and the official "Shin Godzilla" website.

Previous reports on SHIN GODZILLA:
September 6, 2015: Shooting Begins on Toho's "Godzilla 2016"!
August 1, 2015: Did These Men Design Toho's New Big G?
April 1, 2015: The Directors of "Godzilla 2016" Speak!
March 31, 2015: "Evangelion" Creator Helms New "Godzilla"!
December 7, 2014: The "Japanese Godzilla" Will Rise Again!

SHOOTING BEGINS ON TOHO'S "GODZILLA 2016" Extras Flee For Their Lives In Tokyo's Ota Ward!

出った！『シン•ゴジラ』が蒲田駅に襲来 !!


Co-Directors Anno (left) and Higuchi (right) on location in Tokyo.

Just a few hours ago, dozens of extras fled from the Big G down the commercial street at Kamata Station's East Exit in Tokyo's Ota Ward, as Toho's first domestic Godzilla film in nearly twelve years finally commences production. Now tentatively titled, "Shin Gojira" (New Godzilla), the film is being co-directed by modern mavericks Hideaki Anno (Neon Genesis Evangelion), who also penned the screenplay, and Shinji Higuchi (Attack on Titan).

Already proving to be one of the most highly-anticipated kaiju eiga productions in over a decade (with next to nothing known about the upcoming film's plot, cast, or other particulars), inside sources are saying that this iteration of the world-famous king of the monsters threatens to be "frightening"; harkening back to the original 1954 film, while co-director Higuchi promises, "I'll give you the greatest worst nightmare!"

According to this author's sources, "New Godzilla" will premiere in Japanese Cinemas on Saturday, July 23, 2016.* Please stay tuned for confirmation of release date and other details as they develop!

(Above photo Tweeted by Cast Co., Ltd.)

Previous reports on "Godzilla 2016":
August 1, 2015: Did These Men Design Toho's New Big G?
April 1, 2015: The Directors of "Godzilla 2016" Speak!
March 31, 2015: "Evangelion" Creator Helms New "Godzilla"!
December 7, 2014: The "Japanese Godzilla" Will Rise Again!

*Release date has been confirmed as July 29, 2016.

THE DIRECTORS OF "GODZILLA 2016" SPEAK: "I'll Give You the Greatest Worst Nightmare!"

樋口真嗣：「来年、最高で最悪の悪夢を皆様にお届けします」！

These men are planning to destroy Japan next summer. Again.

Yesterday, when Toho released their announcement to the press that Hideaki Anno and Shinji Higuchi were teaming together to co-direct the next domestic Godzilla film to be produced in Japan, jaws could be heard dropping across the Pacific. Yes, the man who pushed the state of miniature visual effects to the next level, and the man who revolutionized storytelling in anime, were to be bringing the Big G back home — in tandem with Legendary's trilogy directed by Gareth Edwards.

I don't think anyone on this side of the Pacific, after more that two decades of whatever Toho threw at fans, realize the gravity of this paring. Visually, they may have a better idea once the first of Higuchi's pair of live action ATTACK ON TITAN films hit Japanese screens this summer. As for Anno, who is also penning the screenplay, all you have to do is look at his body of work to see there's a big change coming. A very big change. Something that we might never thought we'd see.

As the press release related, the film will be shooting this fall and will be released "Summer 2016." More information has been gleaned from the Extras Casting Call that has already gone out from the CineBazar casting agency, which has opened applications for potential extras needed between September and November. This indicates the film's Principal Photography will be completed before December, giving Higuchi and Anno several months to shoot and render the visual effects.

Personally, while I've always looked towards the new productions with a sense of cautious optimism, notably, the Gareth Edwards film, I'm very excited for the potential of this new incarnation, especially as we get closer to production time this fall. Until then, perhaps we can get a sense of what these two hardcore fans of the Showa Godzilla (1954-1975) have in mind, from their two written statements issued by Toho:

HIDEAKI ANNO
WRITER/SUPERVISING DIRECTOR


December 2012. After the production of EVANGELION: 3.0 YOU CAN (NOT) REDO, I was broken. A so-called depression set in. It was the comeuppance for six years that drained my soul. 2013 came and went. That was a year in which negative memories rumbled back, over and over. While I could represent myself, it became impossible for me to even physically go near the studio, even once, because of the burden of the next film [EVAGELION 4]. Early 2014. I was finally able to return to the studio. Then, I gradually got back into working, because of that year of self-rehabilitation.

So, it’s 2015. After 20 years after the premiere of the old EVA; and you've been waiting more than two years since you last bought your tickets, so I’m working towards realizing the completion of the new EVANGELION theatrical features (why am I promoting it, already?). To those who follow me, and all the anime fans, it’s only through your continued support that gives me the motivation to move forward, again, towards the finale. Sincerely, I thank you.

And, now, at the same time, I’m also starting work putting together a visual effects fantasy film. This all started at the end of January, 2013. A representative from Toho contacted me directly, saying, “We’d like to direct a new Godzilla film.” At the time, I was still recovering from EVA 3.0, and right on the spot, flatly refused the offer, “It’s impossible. Even to begin work on the next EVA is impossible.” 

Eventually, it was Toho’s sincerity and the enthusiasm of my ally, Director Shinji Higuchi, and I decided to take the job as Director that March. My prayer is that this will not be just a repeat of science fiction visuals of the past, and the wish we put into the Tokusatsu Museum Exhibit, was to embody the idea of giving back to the creators and artists who came before us, which was our intention and our responsibility. And when that epiphany occurred to me, my resolution was to undertake this task.

Now, one does because they can, not because they cannot. I made my decision because this is a new, once-in-a-lifetime chance. This is not EVA. This is not an original creation of my own, and is something I’ve never done before — this is why I decided to do it.

That May, I began my work with pen to paper. And I decided on how I was going to depict the principal subject. And in the following month, June, I submitted my G-Project Memos and Story Proposals to Toho, and then began working on the Plot Outline, etc. 

Godzilla exists in a world of science fiction, not only of dreams and hopes, but he's a caricature of reality, a satire, a mirror image. Recently, Japan has also been careless in the way it has attempted to depict him. In all honesty, Japanese production budgets and schedules are so tight, compared to the world’s capitol [Hollywood], not to mention the constraints imposed on filmmakers in terms of content. Frankly, I’m not sure how far outside the lines we can go.

However, movies have pride, even trifling little films; therefore, just as in the case of the new EVAs, I’m going in full force. When I think about what I’ve accomplished, the twists and turns befitting a screenplay, everything has led to this point. I write this with the hope that the reader might understand at least to some degree that no matter what a creator says, it’s just an excuse, but I’m under pressure to make a visual effects fantasy film representative of modern Japan, with the full awareness of our current situation, which will be subjected to intentions both good and bad.

Finally, to all those of you who have given me support, to all the fans who’ve purchased tickets to my films, to everyone who has given me the will to continue with my works, I’m eternally grateful. Thank you.

SHINJI HIGUCHI
DIRECTOR/VISUAL EFFECTS DIRECTOR


The thought of this resurrection has my chest pounding. Almost three decades have passed since I snuck into this film industry, and had no idea what would transpire before me, because I was so idealistic. The difference between my first, carefree world of amateur filmmaking, compared to the reality of the ups and downs of the industry, I feel as though I’ve been a hero running for 30 years. But, at last, the time has come! 

I’ve come to see those reckless heroes of my high school and college days hit mid-life. It all seems like a dream, but now I must come back to reality. There’s no more room for idle talk. “What you really want to do, what you really need to do, what you should never do, what you may not be able to do,” are the thoughts that’ve fought in my head, and held me back.

It’s a veritable championship over one’s own mind. What now, then? Playtime is over. Nevertheless, with my best friend standing beside me, we will triumph over the pressure that would otherwise make me run far away. I was born in this country which gave life to this great divinity [Godzilla], which destined me to work in visual effects, up until this very moment. I give unending thanks to Fate for this opportunity; so next year, I’ll give you the greatest worst nightmare.

Stay tuned to this blog for more news and updates on production of "Godzilla 2016"!

(Special thanks to the redoubtable Marc Miyake for pinch hitting!)

"EVANGELION" CREATOR HELMS NEW "GODZILLA" Hideaki Anno & Shinji Higuchi Revive the King!

2016年新作『ゴジラ』脚本・総監督 庵野秀明＆監督 樋口真嗣 !


First promotional icon for upcoming film to be released next year!

The news only broke a short time ago in Japan as I begin to type (2:00 PDT), but according to the regarded film site, Oricon, not only has the author of the screenplay for Toho's upcoming, yet untitled, domestic Godzilla movie been announced (of which I first reported outside of Japan, here), but that the film boasts two directors; one credited as the "Supervising Director" and "Screenwriter," while the other has the "Director" and "Visual Effects Director" credits.

The new Godzilla will start shooting this fall and is slated for release in Japan next summer. Both of these exceptional filmmakers are life-long friends, and are very well-known outside of Japan, mostly for their work with the Gainax animation house on such hit anime series as NADIA, SECRET OF THE BLUE WATER (1990) and NEON GENESIS EVANGELION (1995), but they are also no strangers to the world of Tokusatsu (visual effects films): Hideaki Anno and Shinji Higuchi.

Perhaps you don't realize what this means. It is momentous.


Higuchi at Tokusatsu Exhibit conference in 2012. Photo: C/Net Japan

Director Higuchi (b. 1965), who posted photos of an empty Toho Studios conference room this past weekend, is no stranger to the realm of the giant monster movie, supervising and directing the visual effects for highly-lauded "Gamera Trilogy" of the 1990s. His revolutionary vision of miniature effects stunned audiences and turned the industry upon its head. Higuchi has helmed such films as THE SINKING OF JAPAN (2006) and upcoming two-parter ATTACK ON TITAN (2015).

And before you ask, Higuchi's association with the Big G goes back to his serving as an effects assistant on RETURN OF GODZILLA (1984). But, since he was swept up with Gainax, drawing storyboards for Hiroyuki Yamaga's WINGS OF HONNEAMISE (1987) and then NADIA, it wasn't until 1995 that he returned to visual effects, with the ground-breaking "Gamera Trilogy" directed by Shusuke Kaneko. This time, Higuchi's getting his own Godzilla.


Anno at Tokusatsu Exhibit conference in 2012. Photo: C/Net Japan

Coming into the field as a loyal fan of Eiji Tsuburaya's visual effects films, Director Anno (b. 1960), was one of many Tokusatsu Maniacs who was captivated by the Anime Boom of the '70s and '80s, being a hardcore fanatic of the seminal Space Battleship Yamato franchise, Anno would channel most of his energies into that field, creating the singular anime series of the last 20 years. And now, Hideaki Anno is making a Godzilla film. Let that sink in.

On Toho's official Godzilla website, the directors were asked to give a message to fans concerning this latest resurrection, some of which details Anno's conflict in having to delay proceeding on the next (and final) EVANGELION film in order to take up the Big G's reigns, while Higuchi expressed his passionate "Love of Godzilla." But, while both men are determined in their solidarity, what is their state on mind going into this production with so much at stake?

Read the messages from Hideaki Anno & Shinji Highuchi, here!