"There is so much writing in English on Japanese cinema that can't be accepted at face value — not because the writers are careless, but because the differences in culture and language are just too intricate. When I see August Ragone's name on a piece of writing, it gives me permission to place my faith in it completely. Among Japanese fantasy film historians, he's the best working in English." —Tim Lucas, Video Watchdog

Showing posts with label Isao Sasaki. Show all posts
Showing posts with label Isao Sasaki. Show all posts

Sunday, December 29, 2013

"NEO-RIODER CASSHAN" (1973) DVD & BLU-RAY
35 Episode Box Set from Sentai Filmworks!

出た!『新造人間キャシャーン』米国DVD&BD発売 2014年3月!


Final package art for the long-awaited release of Tatsunoko's classic!

Hallelujah! It's a great time to be an American fan of classic Anime — after years of hoping for various titles would be picked up as they only went from a few years old to decades old, and the only resort seemed to be sticking with the Japanese releases, that weakening hope suddenly became a beacon over the last couple of years. Some labels, such as Discotek Media, and Japanese companies such as Toei Animation, have been looking back to find a different demographic. The younger American fan seems to exclusively want the latest productions out of Japan, but don't want to pay for it. But, there are older fans who aren't satisfied with the current output, but some younger fans are also curious about the roots of the genre. And they should be.


Dynamic 1973 promotional art designed by the great Tatsuo Yoshida.

Recently, we've had long-awaited premiere releases of PRINCESS KNIGHT (1967), the original LUPIN III (1971), GATCHAMAN (1972), CUTIE HONEY(1973), CAPTAIN HARLOCK: SPACE PIRATE (1978), THE ROSE OF VERSAILLES (1979), as well as English Dubbed, compilation films of GAIKING (1976), STARZINGER (1979), and DANGUARD ACE (1978), with complete series editions of MAZINGER Z (1972) and DEVILMAN (1972) waiting in the wings. And now, the original CASSHAN (1973)! As a diehard fan of '70s Anime, it's about time, and I'm loving every release that has been announced — all of them being must-buys in my book (although I'd prefer the complete series with Japanese language tracks).


1973 45rpm Single (music Shunsuke Kikuchi/vocals Isao Sasaki).

One of the biggest points I like to impart is that the during the '70s, the creators and producers were opening up new frontiers, so the originality was thriving, before the toy companies began to dictate content and style. The plotting and writing, while less complex than some today, was also less convoluted and contrived, and the writers were all veteran, professional scribes of feature films and television shows of numerous genres (while today's writers became such largely because they were Anime fans). And least we forget the music — such memorable, beloved music from the batons of such legends as Hiroshi Miyagawa, Takeo Watanabe, Shunsuke Kikuchi, Michiaki "Chumei" Watanabe, and featuring goosebump-inducing vocals by Isao Sasaki, Ichiro Mizuki, Mitsuko Horie, and Hide Yuki!


Preliminary package art from Tatsunoko's promotional portfolio.

Tatsunoko Productions' CASSHAN is one of those standout series of the '70s — spawning remakes and sequels, which made it to our shores, while the original 1973 series was left to flounder. Until now! Produced during the second year of GATCHAMAN (which was just going into overdrive), CASSHAN features a dark story story — set in their retro-future European-esque world typical of the time — with several concurrent subplots and a generally downbeat atmosphere, but with plenty of exciting superhero action! Like GATCHAMAN, the character designs bare some inspiration from the American comic books that creator Tatsuo Yoshida grew up on, with stylized art direction by Mitsuki Nakamura (SPEED RACER) and impressive character designs by Yoshida and Yoshitaka Amano (VAMPIRE HUNTER D).


Facing the legions of Buraiking: If Casshan won't do it, who will?

From the Sentai Filmworks press release: When lightning strikes the prototype android BK-1, a new horror is unleashed on the world as the resulting monster Buraiking begins taking over all other robots on Earth, setting them against their creators in a massive orgy of planet-wide destruction! With humanity helpless in the face of the new Neoroiders and their mechanical armies, mankind's only hope may lie in the hands of Tetsuya Azuma, son of the creator of BK1, who transfers his consciousness into an android body to become a Neoroider himself. the ultimate robot fighter: Casshan!


Back cover for the DVD of the upcoming Sentai Filmworks release.

At this past year's Anime Expo in Los Angeles, Sentai Filmworks announced that it had signed a deal with Tatsunoko Productions for the original GATCHAMAN, CASSHAN, and nine other titles — could we hope for GATCHAMAN II (1978), GATCHAMAN FIGHTER (1979), TEKKAMAN: THE SPACE KNIGHT (1975), HURRICANE POLIMAR (1974), TIME BOKAN (1975), and GORDIAN (1979) to be among them? In any case, their Blu-ray release of CASSHAN will feature all 35 episodes (approximately 875 mins.), 1080p HD (4x6), Japanese lossless audio (DTS-HD Master Audio 2.0) with English Subtitles on three discs for $59.98. The NTSC DVD release will come with six discs with 2.0 Dolby Digital audio with an MSRP of $49.98. Special features and bonus materials have not been listed. Street date was originally January, but has been pushed back to March 4, 2014.

"Abandoning his mortal life, he gained an immortal body. Allowing him to combat the iron fiends and crush them into the earth. If Casshan won't do it, who will?"

Friday, August 24, 2012

SPACE BATTLESHIP YAMATO: 2199 Chapter 3
New Trailer, Isao Sasaki Returns, and More!

懐かしい!ささきいさおの『宇宙戦艦ヤマト2199第3章PV』



The official website, Yamato Crew, has just been updated with a cornucopia of news on the ongoing SPACE BATTLESHIP YAMATO: 2199 series, including the brand-new trailer for Chapter 3, opening in Japanese cinemas on October 13th (click here for a higher-res version hosted on Yamato Crew). While it is no news that the original vocalist, Isao Sasaki, returned to the studio to record fresh arrangements of the late Hiroshi Miyagawa's theme song, and the original ending theme song, "The Scarlet Scarf" (under the baton of the composer's son, Akira), it is news that the classic romantic tune will now be the official Ending Theme for Chapter 3 (episodes 7-10)!

Previously, it was stated that this new recording would only be used as an "Insert Song" (perhaps heard in a few episodes, either vocal or instrumental), so this is great news for long-time Yamato fans. The new version of "The Scarlet Scarf" can be heard in the brilliant trailer for Chapter 3 (posted and linked above, features an actual ending, as the original simply faded out), which carries the preview solely with Sasaki's signature crooner — with full emotional punch for those of us who grew up with Yamato!

Speaking of Yamato music, an epic concert has been announced for this coming November 10th, entitled "Yamato Symphonic Band: Great Ceremony of 2012". Akira Miyagawa, at the baton, will. conduct the Osaka Municipal Symphonic Band, and the Toke Civic Wind Orchestra, for two full performances featuring the music of YAMATO: 2199. Vocalists will include the aforementioned Isao Sasaki, Aira Yuki, and Aki Misato, singing their respective songs for YAMATO: 2199. According to the press release:

This music, referred to by fans as the "Miyagawa Sound", should be handed down from generation to generation. And now, the son of Miyagawa, Akira Miyagawa, has inherited this sound from the past, and will be sitting at the piano, accompanied by his "Yamato Symphonic Band". Now, leading the past into the present with "emotion" and "music", this new Miyagawa Sound will resound the name "Yamato" throughout the galaxy!

In addition to the full performance, audiences will be treated to a special bonus: a world-premiere screening of Episode 11 of YAMATO: 2199! Produced by Bandai-Namco Live Creative and Voyager Entertainment, the "Yamato Symphonic Band: Great Ceremony of 2012" will be held at the amazing Maihama Amphitheatre, located near the Tokyo Disney Resort.

In even more music news, the first full Original Soundtrack album for YAMATO: 2199 has been announced for release this coming November 7th, featuring Akira Miyagawa's re-recordings of his father's original score, plus his new cues, all heard in the new series. While there are no other details at press time, the CD will retail for ¥3,000, and will be the first in a series from Lantis and Bandai Visual. Speaking of Yamato soundtracks, a two-CD set of music from the Director's Cut of SPACE BATTLESHIP YAMATO: RESURRECTION, featuring previously-released tracks, as heard in the re-release of the 2009 feature film (soon to be issued on DVD and BD in the US from Funimation) is now available from Columbia Records (formerly Nippon Columbia), featuring 47 tracks, ¥3,360.

Of course, all of this is in addition to the current pair of CD singles for the songs of YAMATO: 2199 from Lantis, retailing for ¥1,200 each, and the 24bit 96kHz, Blu-spec CD reissue series of the 30 original Yamato soundtrack albums, "Yamato Almanac", which just launched this past July, to be released over a two-year period, and will retail for ¥2,625 each.

With the premiere of Chapter 3: "The Endless Voyage", the film will be playing in two additional cinemas to meet with the demand for YAMATO: 2199, thus bringing the total number of nationwide theaters up to twelve: MOVIX Kameari in Tokyo and the Osaka Station City Cinema in Osaka. Meanwhile, on Opening Day, the Shinjuku Piccadilly Theater will be hosting their third "Yamatalk Night", with a "Gamilas Invasion": On hand will be voice actors Koichi Yamadera (Lord Aberto Dessler) and Yosuke Akimoto (Vice Commander Redoff Hiss). Yamadera has an extensive resume, and is perhaps most well-known as "Spike Spiegel" from COWBOY BEBOP (1998) and "Ryoji Kaji" in NEON GENESIS EVANGELION (1995).

Veteran Akimoto has enjoyed a long and esteemed career with roles such as Siegel Clyne in MOBILE SUIT GUNDAM SEED (2003) and Lord Alberto in GIANT ROBO: THE ANIMATION (1993). Before his Anime  career, Akimoto was an on-screen actor, who was featured in several tokusatsu series: The Dark Scientist who creates Hakaida in Episodes 36 & 38 of KIKAIDA (1972), Genshiro Shiranui in Episodes 1, 2 & 4 of IRON KING (1972), Dr. Iwamura in Episodes 33 & 34 of SUPER ROBOT: RED BARON (1973), and many more. The two VAs will be joined on stage by Supervising Director Yutaka Izubuchi. Times for this live talk before the screening of Chapter 3, are to be announced.

Stay tuned to this blog and the official Star Blazers website for more news and information on SPACE BATTLESHIP YAMATO: 2199 as they develop — and soon, we'll be off to outer space, like we never have before! Again.

Friday, April 13, 2012

SPACE BATTLESHIP YAMATO: 2199 (2012)
Hideaki Anno's Opening Credit Sequence!




Originally slated as the series director, while in four years of development, Hideaki Anno (Neon Genesis Evangelion), had to drop out of the project due to other commitments, and Yutaka Izubuchi (XahZephon) stepped in. While Anno was unable to be an active participant in the new series, he being a huge YAMATO fan, was able to design the storyboards for the opening credit sequence (which were finalized by Izubuchi). Anno decided to stick close to the original, and update it slightly, and nails it right on the head, as far as I'm concerned. 38 years later, legendary vocalist Isao Sasaki returned to record a new version of the classic theme song for YAMATO: 2199! For contrast, see the original 1974 opening, below:



Stay tuned to this blog and the official Star Blazers website for more news and information on SPACE BATTLESHIP YAMATO: 2199 as they develop — and soon, we'll be off to outer space, singing all the way to Iscandar!

Saturday, February 18, 2012

SPACE BATTLESHIP YAMATO: 2199 (2012)
Coming to Japanese BD & DVD on May 25th!

『宇宙戦艦ヤマト2199』DVD/BD 5月25日発売!


Vol. 1 DVD jacket ©Emotion/Yamato 2199 Production Committee

As I first wrote back in November, the long-anticipated return to the hugely popular SPACE BATTLESHIP YAMATO series, known in the US as STAR BLAZERS, was building steam with an animated feature follow-up to 1983’s FINAL YAMATO, entitled SPACE BATTLESHIP YAMATO: RESURRECTION (2009), and the big-budget live action film by Takeshi Yamazaki, SPACE BATTLESHIP YAMATO (2010), and then came the exciting, official word of a new, 26-episode half-hour series, SPACE BATTLESHIP YAMATO: 2199, a remake of the groundbreaking 1974 production. It was also announced that YAMATO: 2199, which had been in various stages of development for several years, would be helmed by Yutaka Izubuchi (RahXephon). A fellow, unabashed Yamato fan, Hideaki Anno (Evangelion) had originally been attached as chief director, but would still end up contributing to the series by designing the storyboards for the opening credits sequence, which were then finalized by Izubuchi.


Admiral Okita's Battleship, Kirishima, at the Battle of Pluto!

Word got even better when it was announced that Izubuchi and the producers, including the adopted son of the late Yamato creator, Yoshinobu Nishizaki, were sticking close, if not exactly, to the design parameters of the original YAMATO, by hiring Junichiro Tamamori (Scarecrowman) as lead Mechanical Designer, who came to their attention through his website, "Yamato Mechanics" (and several notable Yamato fanzines). While the look of YAMATO: 2199 was rooted firmly in the past, the character designs would be completely updated for modern sensibilities, while still remaining familiar to longtime fans, under the pen of Nobuteru Yuuki (Space Pirate Captain Herlock: The Endless Odyssey). Likewise, YAMATO: 2199 would benefit from the latest animation techniques and 3DCG rendering under the auspices of Xebec (Lagrange: The Flower of Rin-ne) and A.I.C. (Mankind Has Declined). I feel that if these techniques were available in 1974, that they would have been fully implemented at the time, in making the original series.


The Kirishima's captain holds fast, as Okita makes a difficult decision!

Then came the announcement of music composer, and since the late Hiroshi Miyagawa's indelible scores would be a hard act to follow, they simply hired his son, Akira Miyagawa (Shin Mazinger), to rearrange his father's compositions, and pen his own. And when you didn't think it could get any better, legendary vocalist, Isao Sasaki, was also tapped to record a new version of the theme song he made famous 38 years ago, while Aira Yuki (True Tears) is performing the ending theme song, "In the Eternal Light of the Stars". But, despite the veritable all-star line-up of talent, promising that YAMATO: 2199 would be a sure-fire hit, the networks weren't biting when it was originally pitched (according to some industry sources). Whether this is rumor or fact, in this new digital age, television is not the end-all-be-all, and it was decided to cut together the episodes into a series of seven feature films, screened in select theaters through Shochiku (Japan's oldest motion picture company), beginning on April 7th with "The Long Journey" (Episodes 1 & 2) and followed by "Desperate Battle in the Heliosphere" (3 through 6) on June 30th.


Kodai & Shima are about to set out on a pivotal mission!

In addition to the theatrical screenings, the uncut episodic versions of YAMATO: 2199 are to be issued on DVD & Blu-ray (BD), starting with Volume 1 on May 25th. This initial volume will contain the first two episodes of the series, "The Messenger of Iscandar" and "We're Off Into the Sea of Stars", both written by Izubuchi and directed by Akira Enomoto (Yu Yu Hakusho: Ghost Files). Special features will include a special outer slipcase featuring stunning art by famed illustrator Naoyuki Kato (with the case sleeve featuring Yuki's art, seen above), a facsimile of Anno and Izubuchi's Storyboards for the Opening Title sequence, an insert booklet, the Clean Opening sequence (Acapella Version), and an Audio Commentary for Episode 1, featuring writer-director Izubuchi and voice actors Daisuke Ono (Susumu Kodai) and Houko Kuwashima (Yuki Mori). Subsequent volumes in the series, from Bandai Visual, will feature four episodes per disc. Now available for pre-order on Amazon Japan (with an April 15th cut-off), the BD for Volume 1 has already placed #15 on their Best Seller's list.


Kodai & Shima discover the wreck of the Battleship Yamato!

Meanwhile, for those who can't wait that long, advance copies of the BD for Volume 1, sold exclusively at theaters screening "The Long Journey", will contain a special bonus booklet of Izubuchi's complete storyboards for the "The Messenger of Iscandar" (sporting a cover featuring Sasha of Iscandar, illustrated by Yuuki). The movies will also be streamed simultaneously, as Video On Demand, on Hikari TV, part of the NTT Plala network, which will also preview "The Long Journey" for six days, starting on March 23rd. Yes, "Yamato Fever" is rising in Japan, and not just among the older fans who were raised on the franchise; this may be the first recent Yamato project to break through to those under 30, the hardest demographic to crack. While the synopses of first two episodes read very close to the original, the addition of new supporting characters to the story, especially the female crew members, should draw a much younger audience to YAMATO: 2199. And don't worry, Dessler is still an imperious, blue-skinned, Gamilas Dandy in this version!

As for me, personally, I can hardly wait for curtain call at the 'ol Shinjuku Piccadilly theater this April!

Stay tuned to this blog and the official Star Blazers website for more news and information on SPACE BATTLESHIP YAMATO: 2199 as they develop — and soon, we'll be off to outer space, one more time!