"There is so much writing in English on Japanese cinema that can't be accepted at face value — not because the writers are careless, but because the differences in culture and language are just too intricate. When I see August Ragone's name on a piece of writing, it gives me permission to place my faith in it completely. Among Japanese fantasy film historians, he's the best working in English." —Tim Lucas, Video Watchdog

Showing posts with label Takashi Miike. Show all posts
Showing posts with label Takashi Miike. Show all posts

Friday, October 10, 2014

"ULTRAMAN MAX" COMES STREAMING TO THE US!
2005 Ultra Series Premieres October 13, 2014

今『ウルトラマンマックス』は世界中でストリーミングされます!


One of the best of the post-1970s series will stream world-wide!

The Ultra Series goes streaming on premier anime streaming site, Crunchyroll, this Monday, October 13th with ULTRAMAN MAX! This announcement seems to be a two-sprong strategy by Tsuburaya Productions to breech the US market and establish the brand to English-speaking countries around the world — the first being the "Ultra Hawaii" travel campaign established in the Islands, coupled with the English Subtitled broadcast of ULTRAMAN LEO (1974) on Honolulu's KIKU-TV. The Crunchyroll presentation of ULTRAMAN MAX will be available in the United States, Canada, Latin America, UK, Australia, and New Zealand.


DASH agent Kaito Toma (Souta Aoyama) who transforms into Max!

ULTRAMAN MAX was originally aired on Chubu-Nippon Broadcasting from July 2, 2005–April 1, 2006 with 39 episodes (and one "farewell special"), and while following the direction of the modern Ultraman series, such as ULTRAMAN TIGA (1996), also took a step back to its roots with references to the original Ultra Series from the 1960s, ULTRA Q, ULTRAMAN, and ULTRA SEVEN. This retro respect also included three actors Susumu Kurobe, Hiroko Sakurai, and Masanori Nihei, who were in the main cast of the original ULTRAMAN — Kurobe played Hayata, Sakurai played Fuji, and Nihei played Ide (Ito in the US version) of the Science Patrol.


Max gets a chokehold on old-time Ultra Kaiju favorite, Red King!

Many of the original Ultra Kaiju were brought back to life for ULTRAMAN MAX, in addition to all-new monsters and alien creatures (with Episode 29 being as a full-blown homage to ULTRA Q), although the series is set in its own unique universe. In addition to the familiar monsters, a number of guest stars from the long history of the franchise, including Kenji Sahara (ULTRA Q), Sandayu Dokumamushi (ULTRAMAN), Koji Morisugu (ULTRA SEVEN), Ryu Manatsu (ULTRAMAN LEO). Not to mention original ULTRAMAN directors Toshihiro Iijima (Baltan) and Akio Jissoji (Jamila), as well as modern directors including Shusuke Kaneko (Heisei Gamera Trilogy), Takashi Miike (AUDITION), Hirochika Muraishi (DENJIN ZABOGA) and Takeshi Yagi (ULTRAMAN NEXUS).


Director Kaneko behind-the-scenes with actress Hikari Mizushima.

In the very first episode, a strange visitor from space notices Kaito Toma's bravery when the young man risks his own life to help save a lost little boy from danger. The alien gives Toma (Souta Aoyama) the power to become the mighty superhero Ultraman Max, a towering red and silver giant 40 meters tall. When two gigantic monsters threaten the world, Toma uses his new powers to destroy them.

Captain Shigeru Hijikata (Kai Shishido) of Team DASH (Defense Action Squad Heroes), an elite squad of the United Defense Federation, learns of Toma's brave actions and invites him to join Team DASH. To defend from otherworldly dangers, their fantastic arsenal includes the fighter jets DASH Bird 1 and DASH Bird 2, located at their headquarters in Base Titan, a massive off-shore structure in Tokyo Bay.

The agents of DASH include Kenjiro Koba (Nobuyuki Ogawa), the hot-headed weapons expert, Mizuki Koishikawa (Hitomi Hasebe), DASH's ace pilot as brave as she is beautiful, American Sean White (Sean Nichols), and Ellie (Hikari Mizushima), who looks like a beautiful girl, but is really a high powered super android, who serves as Team DASH's operations officer.

Could this new break in North America lead to a possible DVD or Blu-ray release? Who knows, but hold fast to your Max Sparks and remember to set your browsers to Crunchyroll this coming Monday and schuwatch ULTRAMAN MAX!

Wednesday, March 2, 2011

"THE HARDEST MEN IN TOWN" BUSTS INTO NYC!
Yakuza Chronicles of Sin, Sex & Violence


THEATER OF LIFE: HISSHAKAKU (1963) ©Toei Co., Ltd.

From March 9th-19th at the Japan Society of New York, the Globus Film Series presents the Japanese gangster movie genre through its various avatars, transformations and contradictions, from 1960s productions featuring chivalrous kimono-clad, sword-wielding gangsters and gamblers to today's ruthless gun-toting villains dealing in debt, hustling hardcore porn and scheming and scamming in dark trades and deeds. Over the past 50 years, they've remained snarling, swaggering, tattooed and inexplicably sexy.

The violent romantic world of the yakuza (the Japanese mafia) steeped in cryptic ritual and customs involving full-body tattoos and missing digits, has long excited the imagination, decades before viewers started existing on a diet of The Sopranos and Boardwalk Empire melodrama, and has been one of the mainstays of the Japanese film industry since the 1960s. Harking back to the days when samurai still embodied traditionalist values of honor, selfless duty (giri) and the noble warrior spirit (ninkyo) on the silver screen, the shadowy demimonde of organized crime (which included wandering gamblers and lowly peddlers) rivaled with the noble swordsmen as the representatives of honor and heroism, in the context of a rapidly changing society trying to come to terms with a shameful defeat. In the darkness of movie theaters, they became the very picture of superhuman macho cool and reptilian menace.

In the line-up, there will be blood and broken bones, hookers and hopheads, and plenty of juicy political blackmail… in 15 films that rack up the stiffs like Jacobean tragedies and show grand visions of manly amity and betrayal: classics and lesser known titles by Kinji Fukasaku, Takashi Miike (Dead or Alive), Hideo Gosha (The Wolves), Takeshi Kitano (Outrage), Rokuro Mochizuki (A Yakuza In Love, Onibi: The Fire Within) and Sydney Pollack (The Yakuza), among other offerings you can't refuse.

My personal recommendations for this festival, lays squarely on the shoulders of the pre-1980s films, produced during the prolific Golden Age of Japanese Cinema. These include Hideo Gosha's THE WOLVES (1971), Teruo Ishii's THE WALLS OF ABASHIRI PRISON 3: LONGING FOR HOME (1965), Kiyoshi Saeki's BRUTAL TALES OF CHIVALRY (1965), Tadashi Sawashima's THEATER OF LIFE: HISHAKAKU (1963), Tai Kato's BLOOD OF REVENGE (1965), Kinji Fukasaku's COPS VS. THUGS (1975), Fukasaku's THE YAKUZA PAPERS 3: PROXY WAR (1973), Seijun Suzuki's YOUTH OF THE BEAST (1963) — even Sydney Pollack's THE YAKUZA (1975), which teams up Ken Takakura and Robert Mitchum, is a must-see!

For more information on this film series, showtimes, and how to purchase tickets, please visit the Japan Society's official page at THE HARDEST MEN IN TOWN!

Wednesday, February 27, 2008

TAKASHI MIIKE'S "CELLPHONE INVESTIGATION 7"
New SF Crime Drama is More Than Meets the Eye

三池監督の新SFドラマ「ケイタイ捜査官7」で4月2日スタート!


Miike (left), Shimatani (center) and Kubota (left). ©Mainichi News

Acclaimed director Takashi Miike (GREAT YOKAI WAR), is now hard at work as the Supervising Director on a new 51-episode science fiction television series for the TV Tokyo network, CELLPHONE INVESTIGATION 7 (Keitai Sousankan 7). Produced by WiZ and Production I.G., the series will feature episodes directed by such noted genre filmmakers as Mamoru Oshii (GHOST IN THE SHELL) and Shusuke Kaneko (DEATH NOTE).

The story of CELLPHONE INVESTIGATION 7 concerns the adventures of Kieta, a High School Freshman, played by 19 year-old actor Masataka Kubota, who becomes the seventh member of "Anchor," an organization formed to bring a hi-tech internet criminal organization to justice. He is bestowed with a special automaton, Phonebraver 7, which — shades of Transformers — morphs into a cellphone.

The supporting cast features Mickey Curtis (AGITATOR), Yuko Ito (BUBBLE FICTION), Kanji Tsuda (JAPAN SINKS), Natsuki Okamoto (ARCH ANGELS), Satoshi Matsuda (KAMEN RIDER RYUKI), and Nao Nagasawa (HURRICANGER). The opening theme song is sung by Hitomi Shimatani, who said, "If my schedule is open, I've told Director Miike that I'm interested in acting." Shimatani had previously acted in Yuichi Abe's PRINCE OF TENNIS (2006).

The series begins airing Wednesdays at 7:00 PM starting April 2nd. Later that month, SoftBank Mobile will launch a promotional tie-in with special cellphones modeled after the robots in the series.


SoftBank's prototypes for Phonebraver 7 (left) and Phonebraver 01 (right).

Sources:
Mainichi News
Official Tokyo TV Page
Official Series Page